Does that carry over into your product targets? As in, is there any particular demographic or population of musical artists and producers that you’re trying to reach?ĭiversity is definitely the case with our team. It seems like you have an extremely diverse team. Besides, the original founder of Re-Compose, Stefan Oertl, went to the film scoring program at the USC Thornton School of Music, so there is a long standing connection with LA. Of course, he knows a ton about harmony and music in general, also learning about instruments that you can get from these yamaha p95b review. He is one of the very few composers in the world who consecutively won both the prestigious ASCAP Competition and BMI Award for Aspiring Film Composers in Los Angeles. Gerrit underwent a high-class academic education at the University of Music in Vienna. One of our team members, Gerrit Wunder, does a lot of work with Hollywood film composers such as Hans Zimmer. The Los Angeles music scene is very important for us because of the connections. Tell us about your connection to Los Angeles. I understand Re-Compose’s operations moved from LA to the bay a few years ago. Liquid Notes is available as a direct download and retails for $175. We sat down with Roland Trimmel, the head of operations for Re-Compose, (the developers of Liquid Notes) to talk music, technology, and business. Think of a painter, stuck on a piece, being given a whole new set of brushes and paint to take their art in a totally new direction if they desire. By processing MIDI files through the Liquid Notes’ simple to use interface, musicians can make complex changes and chord progression adjustments on the fly, give themselves new ideas in a live environment, and overall increase their creativity capacity. Luckily, we find companies like Liquid Notes who are looking to re-introduce some depth and counteract this trend. As electronic legend Tim Sheridan queries in his piece “ Is EDM killing the art of DJ’ing?” it would appear creativity, ironically, is taking a back seat in this flat world where everything sounds the same. Beauty is in the eye of the beholder, but in an industry where output is the goal, things start to look scarily homogeneous when everyone relies on the same tools, sounds, sync buttons, and formula for success. However, defining rubbish is a tricky thing when you’re talking about creative work. More awesome material also means more rubbish. But with any growing industry, you get a parallel movement of quality on all scales. The level is raised all around and the talented, hard working, or crafty individuals are able to propel. And with growth in industry, there comes money and opportunities. Point being, it’s everywhere and doesn’t seem to show any indicators of slowing down quite yet. I could go on all day about this but I’ll spare you. Or more specifically, (with its commercial viable surname), we speak about the explosion of “EDM” (electronic dance music) and its dual role both a unifier of the hundreds of sub-genres electronic dance music and simplifier of the not so subtle nuances of these different sounds. Obvious statement of the year: Electronic music is everywhere.
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